SCREEN-L Archives

October 1994

SCREEN-L@LISTSERV.UA.EDU

Options: Use Proportional Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Charlatan <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Mon, 24 Oct 1994 19:27:37 -0400
Content-Type:
text/plain
Parts/Attachments:
text/plain (29 lines)
On Fri, 21 Oct 1994, Randy Riddle wrote:
>
> I'm sorry Patrick, but are you discounting Welles extensive stage and
> radio experience from his preparation for making films?
>
> It seems to me that many filmmakers of the past (Welles, Sturges,
> Coppola, etc) had a more more well-rounded liberal arts education, often with
> more knowledge of classic literature, theater, music, or film
> history itself, than alot of the young filmmakers I'm seeing today.
>
> Randy A. Riddle
> [log in to unmask]
>
Well isn't that a rather pompus attitude to take.  Unless I misunderstand
your post, you are suggesting that unless a filmmaker has a "more
well-rounded liberal arts education, often with more knowledge of classic
literature, theatre, music or film hisory..." he or she is somehow
inferior.  This is just a lot of hot air.  Anyone can and should make a
film who can get their hands on a camera.  The last thing we need is to
have all of our films (cannonized or whatever) come from a certain "elite".
 
So Tarantino worked in a video store...big deal.  His literature is the
films of these so-called great directors you listed above.  Simply
viewing their films is or can be film school enough.
 
THIS IS NOT A FLAME
 
Steve................................Toronto, Canada

ATOM RSS1 RSS2