>thing that they don't know. (The Crying Game was okay, I thought, with some
>wonderful work by Stephen Rea and the other performers, though I had trouble
>believing a hardened IRA solider would behave the way he did when the job went
>wrong.) The market manipulation is so self-evident, but North America seems to
>be having a whale of a time spending their money to play the Crying Game.
Y'know, it's strange. I expected the Big Twist, even though I saw the
film without hearing a single word about it (the film, that is, not just
the twist), but what really surprised me was Whittaker's character's
death. Where I saw it (Phoenix), he was promoted as the main star.
Killing him off like that was like HItchcock killing Janet Leigh in the
first 30 minutes of PSYCHO.
I didn't know around Miramax's promotion of the Twist, but I'm not
surprised. What other hook would there be? It does, however, cheapen
somewhat the film's gender bending--makes it into more of a gimmick
than a fundamental challenge to gender stereotyping.
No matter where you go, there you are.
| Jeremy G. Butler - - - - - - - - - - | Internet : [log in to unmask] |
| SCREEN-L Coordinator | BITNET : JBUTLER@UA1VM |
| Telecommunication & Film Dept * The University of Alabama * Tuscaloosa |