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Re: Rashomon remakes

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Wed, 15 Sep 1999 16:01:19 -0500
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There were also _All in the Family_, _Diff'rent Strokes_ and _Small
Wonder_ that used the same structure, and I know there were others because
it got to be a tired sitcom plot, even though Kurosawa's version holds up
well.

Scott

 ===============================================================================
Scott Andrew Hutchins
http://php.iupui.edu/~sahutchi
Oz, Monsters, Kamillions, and More!

"Love is not a positive emotion that begins in us and ends in the positive
response of someone else.  Love is divine energy that comes from God and
has no end."  --Eric Butterworth



On Wed, 15 Sep 1999, Donald Larsson wrote:

> For what it's worth, there was also an episode of the TV series of FAME
> that used a RASHOMON structure, with different versions of the same
> story, all tied together by a teacher and student sitting in front of a
> theater showing the Kurosawa film.
>
> Don Larsson
>
>
> On Wed, 15 Sep 1999 18:08:08 +0200 Klaus Bardenhagen
> <[log in to unmask]> wrote:
>
> > Do not forget this remarkable episode of STAR TREK - THE NEXT GENERATION
> > that was also a remake of RASHOMON (Riker is accused of murder, different
> > versions are re-enacted on the holo-deck).
> > I do not remember the title or number, but I am sure any ST-Fan can help
> > you with this.
> >
> > Klaus
> >
> > > I'm interested in the two Rashomon remakes, _The Outrage_ (Ritt, 1964)
> > > (starring Paul Newman, William Shatner, Edward G. Robinson, Lawrence
> > > Harvey) and a 1960 TV version starring Ricardo Montalban (!).  Can
> > > anybody direct me to more information about them especially the
> > > Montalban epic?
> > >
> > > Alan Ainsworth
> > >
> > > ----
> > > Online resources for film/TV studies may be found at ScreenSite
> > > http://www.tcf.ua.edu/ScreenSite
> > >
> >
> > --
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> >
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>
> ----------------------
> Donald Larsson
> Minnesota State U, Mankato
> [log in to unmask]
>
> ----
> For past messages, visit the Screen-L Archives:
> http://bama.ua.edu/archives/screen-l.html
>

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