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August 2019, Week 1


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Flow Journal <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Mon, 5 Aug 2019 18:56:40 -0500
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Call for Papers:

Flow Volume 26 Special Issue: “New Faces, New Voices, New Bodies: Current
Thoughts on Media Representations”

The summer of 2019 has seen a variety of news reports and stories
announcing and celebrating the accomplishments of diversity, inclusivity,
and socio-political progress across the entertainment industries. Examples
include Ali Stroker’s monumental win at the Tony Awards (as the first
wheelchair user to win an award); the casting of Halle Bailey in Disney’s
live-adaptation of The Little Mermaid; Marvel Studios’ casting of Simu Liu,
Salma Hayek, and Mahershala Ali in lead roles as well as the hiring of
non-white and non-male directors for Phase 4 projects; the announcement
that the 007 role in the James Bond franchise will now be played by Black
woman, Lashana Lynch; the development and production of a queer-centered
superhero television series in the upcoming Batwoman on The CW; and the
critically-acclaimed and fan-lauded careers of musicians like Lil Nas X and
Lizzo taking center stage in the music industry.

This inaugural issue of Flow’s twenty-sixth volume, “New Faces, New Voices,
New Bodies: Current Thoughts on Media Representations,” asks cultural and
media scholars to consider these recent developments from historical,
industrial, political, economic, cultural, and national lenses. Arguably,
this phenomenon has occurred before (to name a few, the ‘70s with
Blaxploitation, socially “relevant” TV programming, and the popular embrace
of funk and soul; the late ‘80s and early ‘90s with Hollywood’s New Black
Wave, the flood of Black sitcoms on network television, and the mainstream
success of hip-hop and rap; and the late ‘90s and early ‘00s with the rise
of Latinx stars in pop music, “multiculti” ensemble casts, and the
appearance of LGBTQ characters  in primetime). This special issue seeks to
understand: What is new about this moment? How can we discuss these
developments without losing sight of the economic motives of conglomerates?
How can we define and discuss this current wave of diversity, inclusivity,
and progressive action in the industries? And to what extent are these
industry strategies of diversity and inclusivity sustainable? Possible
topics include, but are by no means limited to:


   LGBTQ identities in contemporary fiction and non-fiction media

   Effects of trailblazing texts and figures on the media industry

   Discourses of authenticity, sincerity, progress, and pandering

   Late-night television, political comedy, and the Trump administration

   Cultural and political responses to casting and production announcements

   Genre-specific examinations of identity and representation

   Comparative analyses of historical precedents and contemporary

   Conglomeration, technology, and regulation as pressure points for
   diversity and inclusivity, particularly in corporate diversity initiatives
   and campaigns

   Global perspectives of identity and representation

To be considered for this timely issue, please submit a completed short
essay of 1200-1500 words, along with at least three images (.png), video,
and/or new media files (GIFs, etc.), and a short bio, to Rusty Hatchell and
Selena Dickey at [log in to unmask] <[log in to unmask]>
by Monday,
August 26th, 2019. The Special Issue will be published at
<> on Monday, September 16th, 2019.



Managing Editors, Flow: A Critical Forum on Media and Culture

Dept. of Radio-Television-Film | Moody College of Communication | The
University of Texas at Austin

@FlowTV <>

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