SCREEN-L Archives

March 2011, Week 5

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Rebecca Cook <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 30 Mar 2011 10:55:07 +0100
Content-Type:
text/plain
Parts/Attachments:
text/plain (56 lines)
Apologies for cross posting

 

30 % off for all SCREEN-L subscribers!*

 

  <http://is.gd/gA7kSD> Television as Digital Media <http://is.gd/gA7kSD> 

Edited by James Bennett & Niki Strange

 

"Television as Digital Media is an important and timely collection. Offering strategies for mapping a fast-changing digital terrain, it is poised to stimulate an important conversation between television studies and the television industry." -William Uricchio, Director of Comparative Media Studies, MIT

 

 "This is a terrific collection that opens up exciting ways to think about relations between old TV and new digital culture without reifying either of those terms."-Lynn Spigel, co-editor of Television after TV: Essays on a Medium in Transition

 

In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, and audience practices, the contributors develop a new critical paradigm for thinking about television, and the future of television studies, in the digital era. The collection brings together established and emerging scholars, producing an intergenerational dialogue that will be productive for any student or scholar seeking to understand the relationship between television and digital media. Introducing the collection, James Bennett argues that television as digital media is a non-site-specific, hybrid cultural and technological form that spreads across platforms such as mobile phones, games consoles, iPods, and online video services, including YouTube, Hulu and the BBC's iPlayer. The essays in this collection demonstrate the historical, production, aesthetic, and audience changes and continuities that underpin the emerging meaning of television as digital media.

 

Duke University Press

March 2011 400pp 9780822349105 PB £16.99 - now only £12.00 when you quote CSTA0311JB when you order




 

Postage and Packing £3.50

(PLEASE QUOTE REF NUMBER: CSTA0311JB for discount) 

To order a copy please contact Marston on +44(0)1235 465500 or email [log in to unmask] <mailto:[log in to unmask]> 

or visit our website: 

http://is.gd/gA7kSD <http://is.gd/gA7kSD> 

where you can still receive your discount

*Offer excludes the USA, South America and Australasia.

 


----
To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2