Future Past of Visual Culture Symposium @ the Tate Britain
Saturday 15 June 2002 10.00-17.30
The Visual Culture Series explores different aspects of the discipline of
tracing its history and speculating on its future. The second conference in
organised by the Department of Visual Culture and Media at Middlesex
University and Tate
Britain explores relations between theories and practices of film and visual
from her influential article "Woman as Sign", Professor Elizabeth Cowie will
selected history of film and gender theory drawing on extracts as diverse as
Morocco, Chocolat, and Milicia Tomic's Portrait of My Mother. This is
followed by a
discussion chaired by Dan Harries (Middlesex University) between theorist
film maker Issac Julien, and Professor Elizabeth Cowie. The afternoon
chaired by Adrian Rifkin (Middlesex University) with discussions by Rob
Lyn Turner from Goldsmiths College and Jon Thompson from Middlesex
Tickets: £15 (£8 concessions).
To book, call Tate Ticketing on 020 7887 8888.
Tate Britain, Millbank, London
A film programme on 14 June is associated with this event. Admission is free
to the screenings.
11:30 - Looking for Langston, The Attendant, Trussed and Vagabondia. (Isaac
14.30 - Morocco (Josef Von Steinberg, 1930) 90'
16:00 - Jon Thompson's selection of artists' films
Located in London, the new MA Film and Visual Cultures at Middlesex
University is a unique programme for studying the relationships
between a range of media including film, TV, video, art,
photography, design, architecture, space and the digital. For
further details of our programmes: www.vcm.mdx.ac.uk
or email Dr Dan Harries at [log in to unmask]
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