*The latest issue of FILM CRITICISM is now online: *http://www.
filmcriticismjournal.org/

Issue 41.1 features the following articles:

   - "Blinking and Thinking: The Embodied Perceptions of Presence and
   Remembrance in Gaspar Noe’s Enter the Void” by Jeeshan Gazi
   - "Looking Back: Versions of the Post-Apocalypse in Contemporary
   North-American Cinema" by Ana Moya and Gemma López
   - “'I don’t know who I am most of the time:' Constructed Identity in
   Todd Haynes’ I’m Not There" by Kim Wilkins
   - "Koyaanisqatsi and the Posthuman Aesthetics of a Mechanical Stare" by
   Gary Matthew Varner

*Call for Papers*

We are currently seeking submissions to be published on a rolling basis in
future issues.

FC is a peer-reviewed publication now in its 41st year of continuous
publication, making it the third oldest academic film journal in the United
States.  Our aim is to bring together work in the field of film and media
studies that foregrounds textual criticism as a primary value. Our
readership is generally academic, but we strive to publish material that is
accessible to a broader popular audience.

While our title suggests a focus on film, we are equally interested in
articles that engage moving-image media of all forms, such as television or
online video. FC is also committed to developing criticism that derives
from a cultural studies tradition -- that is, criticism that situates media
texts in a political context and recognizes the role culture plays in
reproducing and maintaining social and power relations.

For more information about FC, please visit:

Website: <http://allegheny.edu/filmcriticism>http://www.
filmcriticismjournal.org/
Email: [log in to unmask]
Facebook: www.facebook.com/fcjournal


-- 
<http://filmcriticism.allegheny.edu/>Assistant Professor of Communication
Arts
Allegheny College
520 N Main St., Meadville, PA 16335
tel: 814-332-2307, web: http://joetompkins.wordpress.com/
Editor, *Film Criticism* <http://filmcriticism.allegheny.edu/>

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Online resources for film/TV studies may be found at ScreenSite
http://www.ScreenSite.org