SCREEN-L Archives

December 1996, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Timo Matoniemi <[log in to unmask]>
Date:
Fri, 13 Dec 1996 12:40:55 +0200
In-Reply-To:
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
text/plain (35 lines)
M. Dunne applies M. Bahtin's crtical theories to Lynch=B4s "Wild
at heart" and the novel by B. Gifford on which it is based. In Literature=
/
Film quarterly, Jan 1995 (XXIII/1)
 
 
On Wed, 11 Dec 1996, Eugene Walz wrote:
 
> >I'm writing an analysis of Wild at Heart by David Lynch.  I would
> >appreciate any information concerning this movie and David Lynch.
> >
>  "Dead Heat on a Merry-Go-Round" by Kathleen Murphy in _Film Comment_ (=
Nov/
> Dec, 1990) is a good place to start. Norman K Denzin in his book _Image=
s of
> Postmodern Society: Social Theory and Contemporary Cinema" has a chapte=
r on
> Lynch, but only a paragraph or two on Wild at Heart. But he captures it
> nicely with the phrase "part _Wizard of Oz_, film noir, kinky fairy-tal=
e,
> self-satire, soap opera and sexual exploitation...."
>=20
> Gene Walz
> University of Manitoba
>=20
> ----
> To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREE=
N-L
> in the message.  Problems?  Contact [log in to unmask]
>=20
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2