Sender: |
|
Date: |
Mon, 18 Oct 2004 10:09:45 -0700 |
MIME-version: |
1.0 |
Reply-To: |
|
Content-type: |
text/plain; charset=us-ascii; format=flowed |
Subject: |
|
From: |
|
In-Reply-To: |
|
Content-disposition: |
inline |
Content-transfer-encoding: |
7BIT |
Parts/Attachments: |
|
|
Hi Angelica,
See VELVET LIGHT TRAP Issue 51, Spring 2003 for some interesting
discussions of the "aural turn."
Lisa
--On Sunday, October 17, 2004 7:07 PM -0500 Angelica Fenner
<[log in to unmask]> wrote:
> Hello everyone,
>
> I am doing some research into what I want to refer to as "the aural turn"
> in film theory, as signalled in the works of Chion, Rosolato, and the
> several anthologies on sound (Belton, et al). I am wondering whether
> anyone is aware of any literature out there that offers a
> meta-critique/assessment of this historical evolution in filmic discourse?
>
> And on a related topic ... is anyone familiar with any articles that
> theorize the role of silence (aka dead space) in the talking head
> documentary form?
>
> Thank you, as always, Angelica Fenner
>
> ****************************************************
> Angelica Fenner
> Assistant Professor
> 325 Odette Hall
> Germanic Languages and Literatures / Cinema Studies Program
> University of Toronto
> Toronto, Ontario M5S 1J4 CANADA
> Tel. 416-926-2326 Fax. 416-926-2329
>
> ----
> Online resources for film/TV studies may be found at ScreenSite
> http://www.ScreenSite.org
----------------------
Lisa D. Kernan, Ph.D.
Arts Librarian for Film, Television and Theater
UCLA Arts Library
310-206-4823
[log in to unmask]
----
For past messages, visit the Screen-L Archives:
http://bama.ua.edu/archives/screen-l.html
|
|
|