SCREEN-L Archives

July 2022, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show HTML Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Cynthia Felando <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sun, 10 Jul 2022 15:27:45 -0700
Content-Type:
multipart/alternative
Parts/Attachments:
text/plain (1392 bytes) , text/html (4 kB)
Dear Colleagues,

I’m pleased to announce that the latest issue of the peer-reviewed
journal *Short
Film Studies* (12.1) has been published online. I’ve included a list of the
issue’s articles below.

Best wishes,

Cynthia Felando

Editor, *Short Film Studies*

https://www.intellectbooks.com/short-film-studies



*Short Film Studies, *Volume 12, Issue 1:

-- Michele Meek, An Interview with Claudia Morgado E. on *No Bikini*

-- Florentina Andreescu, Enjoyment and Alienation of an Embodied Life in *No
Bikini*

*--* Caitlyn Doyle: Beyond Documentary: Alanis Obomsawin’s Cinematic
Worldview

*-- *Greg Dolgopolov: Germinating the* Ant Plant*



Featured Short Film Auteur: *Agnès Varda*:

-- Brittany Murray, Historicity and Photography in *Salut Les Cubains*

-- Richard McLaughlin, Agnès Varda’s Cinematic Writing as Political
Art in *Black
Panthers*

-- Julia Erhart, Manufactured Memory and the Still Photograph: Agnès
Varda’s Short Films *Ydessa, les ours et etc… *[*Ydessa, The Bears and etc…*]
(2004) and *Ulysse* (1983)

-- Tim Palmer, Beside *Du Côté de la Côte* (1958): Agnès Varda’s Early
Applied Cinephilia

-- Colleen Kennedy-Karpat, Teaching *L’Opéra-Mouffe *(1958)

----
To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L
in the message.  Problems?  Contact [log in to unmask]


ATOM RSS1 RSS2