SCREEN-L Archives

July 2022, Week 3


Options: Use Proportional Font
Show HTML Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
"Kunze, Peter C" <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Tue, 19 Jul 2022 23:23:22 +0000
text/plain (2142 bytes) , text/html (5 kB)

Dear Colleagues,

I write to announce the publication of a new special issue of Literature/Film Quarterly<> on Ivo van Hove, the Belgian avant-garde director whose mediated, minimalist theatrical productions examine the distinction between film and theatre. Whether he's incorporating live video feeds and camera operators into Shakespeare or staging screenplays by Ingmar Bergman or Joseph L. Mankiewicz, van Hove remains one of the most exciting and divisive artists working on European and North American stages today.

Here's the table of contents:

Editorial Introduction: Mediating Theatre, Theatricalizing Media: Ivo van Hove as Adapter<>
Peter C. Kunze (Tulane University)

Ivo van Hove’s Shakespeare Cycles: Immersive Spectacle and Intermedial Adaptation<>
Dan Venning (Union College)

Snow Angels and Windmills: Ivo van Hove (Re)Directs Bergman<>
David Pellegrini (Eastern Connecticut State University)

All About Eve: Screens on Stages on Screens<>
Steve Benton (East Central University)

Articulation, Animation, Alienation: Intermedial Affect in Ivo van Hove’s Network<>
Julia Sirmons (Columbia University)

Ivo van Hove, West Side Story, and the Economics of Broadway Theatrical Production<>
Peter C. Kunze (Tulane University)

Peter C. Kunze (he/him)
Visiting Assistant Professor
Department of Communication
Tulane University

Learn to speak like a film/TV professor! Listen to the ScreenLex