SCREEN-L Archives

March 2019, Week 3

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show HTML Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
"MORRISON, Esther" <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 19 Mar 2019 11:17:44 +0000
Content-Type:
text/plain
Parts/Attachments:
text/plain (68 lines)
Screen Volume 60, Issue 1 - Table of Contents

*With apologies for cross posting*
View the full Table of Contents at https://academic.oup.com/screen/issue/60/1

Articles

Queer neorealism: Luchino Visconti's Ossessione and the Cinema conspiracy against fascism
Lorenzo Fabbri

The prerogative of confusion: pink film and the eroticization of pain, flux and disorientation
Alexander Zahlten

Re-citation and res
uscitation from the archives of Arab revolution
Kay Dickinson

Montage/mediation/publicity: Far from Vietnam
David Fresko

From manga to film: gender, precarity and the textual transformation of Air Doll
Diane Wei Lewis

Dossier

Intermediality in Brazilian cinema: the case of Tropicália Introduction
Lúcia Nagib and Stefan Solomon

Devouring images: Hélio Oiticica's anthropophagic quasi-cinema
Alison Butler

'The cloak of technicolor': intermedial colour in Antônio das Mortes
Stefan Solomon

Between film and photography: the bubble of blood in The Family of Disorder
Albert Elduque

Multimedia identities: an analysis of How Tasty Was My Little Frenchman
Lúcia Nagib

Research Note

The story of Atoms at Work
Helen Hughes

Reviews

Ivo Blom, Reframing Luchino Visconti: Film and Art
Louis Bayman

Karl Schoonover and Rosalind Galt, Queer Cinema in the World
James Hodgson

Garrett Stewart, Closed Circuits: Screening Narrative Surveillance
Dietmar Kammerer

Veronica Pravadelli, Classic Hollywood: Lifestyles and Film Styles of American Cinema 1930-1960
Karen McNally

View the full Table of Contents at https://academic.oup.com/screen/issue/60/1

Oxford University Press (UK) Disclaimer
This message is confidential. You should not copy it or disclose its contents to anyone. You may use and apply the information for the intended purpose only. OUP does not accept legal responsibility for the contents of this message. Any views or opinions presented are those of the author only and not of OUP. If this email has come to you in error, please delete it, along with any attachments. Please note that OUP may intercept incoming and outgoing email communications.

----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: http://www.tcf.ua.edu

ATOM RSS1 RSS2