Leo, (BTW, beautiful city Exeter) thanks for the information. As I said before, Kodak Spain says that they do not develope 8mm anymore ("Standard 8, is literally double-perf 16mm split down the middle", which is the one I am trying to make developed). I asume that Kodak Spain is in contact with other Kodak laboratories in Europe. That is why I sent this message to the list, hoping that maybe in USA could get my film developed. I will try to do some research on the ways you directed me. Projector is not a problem. I already have a 8 mm one, and I really wanted to transfer the film to video, but first I have to have it developed. I appreciate very much the information you guys already gave me, but I guess I would need something more. Thanks to everybody. ;-) At 06:44 11/04/99 +0200, you wrote: >On Fri, 9 Apr 1999 14:50:41 +0200 Ingvald Bergsagel ><[log in to unmask]> wrote: > >> Try sending your cartridge to "Kodak Lab" and one of the following adresses: > >> UK: P.O. Box 2, Deer Park Road, Wimbeldon, London SW19 3UG > >My parents live in Deer Park Road and the last time I was there (February) the >small office block (which must just have been a forwarding address - it could >not possibly be a processing lab) that previously had a Kodak banner on the >front had been knocked down and replaced by a garage. So you might try taking >a broken-down car there, but I wouldn't rate your chances with 8mm film. > >Try looking under 'laboratories' in the 1999 BFI handbook. Hendersons in >Norwood, South London, used to do black-and-white super-8 but not colour. >Another point is that you need to establish whether you are dealing with >standard-8mm or super-8mm. Standard 8 is literally double-perf 16mm split down >the middle, i.e. the perforations occupy almost half the width of the film. >Super-8mm has smaller perforations which are proportionally the same size as >those on single-perf 16mm. Other than possibly very specialised archival lab >services, I'd be astonished if anyone still handles standard 8 on a normal >commercial basis (it was virtually obsolete by the early 1970s). > >In this country super-8 projectors are reasonably easy to come by at >second-hand photography shops, collectors fairs and such places, although >condition varies. The main reason for this is that there are still a small >number of enthusiastic amateurs who collect feature films on super-8, and >indeed one company remains - Derann Film Services of, I think, Huddersfield - >which still acquires domestic rights to feature films and sells super-8 copies >of them for around 300 UK pounds a print. > >L >__________________________________ >Leo Enticknap >Postgraduate Common Room >School of English >University of Exeter >Queen's Building, The Queen's Drive >Exeter >Devon EX4 4QH >United Kingdom >email: [log in to unmask] > >---- >Screen-L is sponsored by the Telecommunication & Film Dept., the >University of Alabama: http://www.tcf.ua.edu > > Ruben Garcia-Loureda Diaz [log in to unmask] ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama: http://www.tcf.ua.edu