It's actually cheaper to shoot in 35mm and edit on reduction 16mm workprint then to blow up finished super-16mm film to 35. Super-8 looks just as good when blown up (if done right, such as by Optimage), as it does when projected on a big screen using a Super-8 projector with a xenon lamp, though sometimes these projectors have a brighter, whiter light than many 16mm projectors. -Pip Chodorov ---- Online resources for film/TV studies may be found at ScreenSite http://www.sa.ua.edu/screensite