Luc Besson's SUBWAY (1985) is a (relatively straight) reworking of the Orpheus myth; the same director's NIKITA (1989) incorporates a series of mythical plot tropes from Cinderella to Faust. See also Leos Carax' LES AMANTS DU PONT-NEUF (1991), which borrows from a number of Greek myths, and Jeunet & Caro's DELICATESSEN (1990). The Orpheus and Theseus myths feature prominently in both of these films. MANON DES SOURCES, perhaps most clearly in Claude Berri's 1985 version, revolves around religious and fertility myths, with Manon represented as a Pan figure. Graeme Hayes University of Wolverhampton UK ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]