BONNIE AND CLYDE is a bit too early--but it does feature slo-mo. The blow-up at the end of ZABRISKIE POINT is slo-mo, and I believe there are some slo-mo sequences in THE PARALLAX VIEW. Other possibilities: battle scenes in PATTON lovemaking in RYAN'S DAUGHTER WOODSTOCK (if you count documentaries as genre films) the ending of MCCABE AND MRS. MILLER and some of the deaths in that film WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME THE LIFE AND TIMES OF JUDGE ROY BEAN SERPICO? THE EXORCIST? Diving off the cliff in PAPILLON The opening shots of Lester's THE THREE MUSKETEERS ROCKY bouncing up and down after his jog TAXI DRIVER CARRIE Hallucinations in THE SEVEN PER-CENT SOLUTION Woody Allen often uses slo-mo--and fast-mo--as parody in his earlier films COMES A HORSEMAN COMING HOME? MIDNIGHT EXPRESS? THE DEER HUNTER? The ritual killing at the end of APOCALYPSE NOW THE BLACK STALLION STAR TREK: THE MOTION PICTURE (or maybe it just *seems* like slo-mo!) and to round off the decade: ELEPHANT MAN RAGING BULL THE STUNT MAN FAME? ALTERED STATES Don Larsson, Mankato State U (MN) ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]