I have not seen the documentary "Sonic Outlaws", but I recently read an interesting article about it in an old New York Times issue I was perusing. If anyone has seen the film, I am curious what your feelings about the film are, particularly the appropriation and recontextualization of media imagery (and whether or not this technique functions as a subversive tool against the hegemonic "one-way media barrage"). Also, if anyone knows about any general articles about the recontextualization of media imagery within documentaries and how to get a copy of "Sonic Outlaws", I would really appreciate it. Stephen Bransford ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]