If I recall correctly, there's some romantic tension, at least, between an Indian prince and an English nun in Powell and Pressburger's BLACK NARCISSUS (U.K., 1946), which transgresses not only racial but religious boundaries. Bunuel's THE YOUNG ONE (Mexico, 1960, but with a U.S. setting and cast) has the title girl becoming emotionally involved with a fugitive black musician. --Richard J. Leskosky Richard J. Leskosky office phone: (217) 244-2704 Assistant Director FAX: (217) 244-2223 Unit for Cinema Studies University of Illinois ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]