Author: [log in to unmask] Date: 12/16/94 5:04 PM [Editor's note: This message was submitted to SCREEN-L by the "Author" noted above, and not by Jeremy Butler ([log in to unmask]).] Having read with interest the many postings on this subject, I felt obliged to relate a couple of incidents which may be trivial, but relate nonetheless. In my sophmore year of high school I remember taking a date - much against my parents' wishes - to see 'Saturday Night Fever' at the local movie house. My clearest memory of the experience was watching the boom mic shoot back and forth across the top of the frame during the films final scene. A not-very-memorable film was made memorable by the un-suspending of disbelief. Now I understand. Recently a film made by a friend of mine was screened at an art house in Northern Ireland. His was a documentary shot in standard aspect-ratio 16mm while many other films in the series were dramas filmed in the wide screen more familiar to the theatre-goers. After the screening my friend was surprised by more than one comment on his innovative use of "square pictures." Imagine, letter-boxing the SIDES of the frame! ;-} Regards and thanks for the interesting posts! S. McCarthy