DOCUMENTARY AND ETHICS Calvin Pryluck, Spring 1992 Copyright 1992 Calvin Pryluck First things first. I take it that there really is a world out there, independent of my consciousness. How to deal with that world out there in documentary is a question that implicates aesthetics and ethics. It is a given that some language is propositional, expressing some kind of fact, idea, mood, attitude, etc. (It is unimportant here to argue whether all language is propositional.) "It is 85 degrees Fahrenheit" "It is 29.4 degrees Celsius" "It is getting hotter.' "The weather is hot." (When in fact one person's "hot" is another's "comfortable") Film is similarly propositional; it can state propositions in ways that music cannot. However, the idea that film must express "author's intention" is far from obvious. If it is possible to make an assertion, it is possible to test the veracity of that assertion, i.e., test its truth value; similarly it is possible to lie with propositional systems. It is possible for a filmmaker to express someone else's intention, e.g., a pro-choice filmmaker can make a pro- life film. If it is possible to tell the truth is it possible to lie. distinctions in considering ethical questions: between: what you have a right to do? and what is the right thing to do? not doing harm doing good further: obligations vary by level of responsibility A. ETHICS 1. Distinction between morality and ethics. a> Morality is about how one should behave. b> Ethics is about how one can decide among equally valid moral choices. 2. Ethics and aesthetics are both about making choices. a> Ethics is about choices in relation to others; b> Aesthetics is about choices in relation to the film. 3. Each class of choice constrains the other; a> Thus aesthetic decisions have ethical consequences and b> Ethical decisions have aesthetic consequences. 4. The documentary enterprise includes variety of ethical constraints. 5. Paradox of ethical responsibility: ethical choices are between sometimes (often?) contradictory values and goals. General quote: The following quote reflects an aesthetic as well as an ethical choice. There is no inherent basis for preferring one choice over the other. "Some art is better than other art. . . . Art that expresses some personal opinion or emotion interests me less. To me, the art that is better than other art is the art that tells the secrets of the community." John Loring, Tiffany Company design director and sometime painter-printmaker, "Giving Good Value," New Yorker, August 10, 1992:52 B. WHAT IS FILMMAKER'S RESPONSIBILITY? 1. Subjects a> Privacy b> Safety c> Exploitation 2. Actuality, i.e., the world out there that can be recorded on film or tape. a> interpretation of actuality: 1> filmmaker's, 2> subject's, 3> subject's community, 4> etc.? 3. Audience a> Comprehension (understanding of film) b> Dignity 4. Sponsor 5. Art: Abstract notion of beauty 6. Advance personal viewpoint 7. Self-satisfaction or criteria such as money or advancement Cal Pryluck, Radio-Television-Film, Temple University, Philadelphia <[log in to unmask]> <PRYLUCK@TEMPLEVM>