The journal is proud to announce the publication of issue 26.05, a special issue on the Streaming Wars and TV's Next Juncture! This month's articles: Siobhan O'Flynn, "'Streaming Wars and the Future of Video,' It's Not What You Think..." <https://www.flowjournal.org/2020/03/streaming-wars-and-the-future-of-video/> Siobhan O'Flynn critically analyzes how Netflix and The Walt Disney Company have employed specific strategies for their respective streaming platforms. Cara Dickason, "Network(ed) Spectatorship: Nation, Nostalgia, and Broadcasting Streaming on CBS All Access" <https://www.flowjournal.org/2020/03/networked-spectatorship-cbs-all-access/> Cara Dickason uses CBS All Access' *The Good Fight *to explore the role of the public interest when a broadcast network migrates to a streaming platform. Mike Van Esler, "Rethinking the Legacy of MVPDs through Content Aggregation" <https://www.flowjournal.org/2020/03/legacy-of-mvpds/> Mike Van Esler considers the role of content aggregators and offers an ecological framework that focuses on the supraplatforms of the streaming media industry. Mark D. Pepper, "Can Television Diversity Overcome the Rise of Algorithmic Recommendations?" <https://www.flowjournal.org/2020/03/television-diversity-algorithmic-recommendations/> Mark D. Pepper ponders the effects of Netflix's algorithm on categorization, diversity, and truth. Siobhan Lyons, "A Streaming Comes Across the Sky: Peak TV and the Fate of Nostalgia" <http://www.flowjournal.org/2020/03/streaming-comes-across-the-sky/> As audiences become ever more fragmented, Siobhan Lyons looks at the ways communal nostalgia is increasingly giving way to niche nostalgia. Jake Pitre, "Confronting the Swarm: Streaming Platform Strategy in an Uncertain Age" <http://www.flowjournal.org/2020/03/confronting-the-swarm/> Focusing on the Criterion Channel, Jake Pitre interrogates the curatorial strategies of cinephilic streaming platforms. Joseph Harrison, "'Rainbow is the New Black': Netflix's Queer Marketing Moment" <http://www.flowjournal.org/2020/03/rainbow-is-the-new-black/> Joseph Harrison takes up Netflix's recent ambiguously political advertising campaign in Italy. *Flow* <http://flowjournal.org> is a critical forum on television and media culture published by the Department of Radio-Television-Film <https://rtf.utexas.edu> at the University of Texas at Austin. *Flow*'s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media. ---- To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L in the message. Problems? Contact [log in to unmask]