SCREENING THE PAST ISSUE 27 is now online http://www.latrobe.edu.au/screeningthepast/ First Release peer reviewed articles: * Peter Alilunas, The Past is all used up: Orson Welles, Touch of Evil and Erasure. * Anne Rutherford, Volatile Space, Takemitsu and the Material Contagions of Harakiri * John Hodgkins, Heritage and Post-Heritage: The House of Mirth on Page and Screen. * Gino Moliterno, Cinematic Intertextuality and comic allusion in Giorgio Mangiamele's Ninety Nine Per Cent. * Sam Rohdie, Hitchcock Fabrics. Reviews: Feature Review: Bill Routt reviews Ford at Fox Part Two (c) * Emily Ashman reviews Mark James Russell, Pop Goes Korea: Behind the Revolution in Movies, Music and Internet Culture. * Ina Bertrand reviews Lisa French and Mark Poole, Shine a Light: 50 Years of the Australian Film Institute, The Moving Image No. 9, ATOM 2009. * James Brown reviews Kenneth E. Hall, John Woo?s The Killer. * John Conomos reviews Yvette Biro, Turbulence and flow in film: The Rhythmic Design. * James Curnow reviews Robert Burgoyne, The Hollywood Historical Film. * Adrian Danks reviews Janet Harbord, Chris Marker: La Jetee. * Wheeler Winston Dixon reviews Stephen Chibnall and Brian McFarlane, The British B Film. * Wheeler Winston Dixon reviews Elizabeth Legge, Wavelength. * Tony Fonseca reviews Lucas Hilderbrand, Inherent Vice: Bootleg Histories of Videotape and Copyright. * Jane Greene reviews Harriet Margolis, Sean Cubitt, Barry King and Thierry Jutel, Studying the Event Film: The Lord of the Rings. * Alexandra Heller-Nicholas reviews Karla Oeler, A Grammar of Murder: Violent Scenes and Film Form. * Jan-Christopher Horak reviews Joan Simon (ed.) Alice Guy Blache: Cinema Pioneer * D.B.Jones reviews Tom McSorley, The Adjuster. * Mike Lim reviews Rick Altman, A Theory of Narrative. * Brian McFarlane reviews Dianne F. Sadoff, Victorian Vogue: British Novels on the Screen. * Jasmine McGowan reviews Jason Wood, Talking Movies: Contemporary World Filmmakers in Interview. * Matt Wanat reviews Marguerite H. Rippy, Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective. ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama: http://www.tcf.ua.edu