Hello everyone, I am doing some research into what I want to refer to as "the aural turn" in film theory, as signalled in the works of Chion, Rosolato, and the several anthologies on sound (Belton, et al). I am wondering whether anyone is aware of any literature out there that offers a meta-critique/assessment of this historical evolution in filmic discourse? And on a related topic ... is anyone familiar with any articles that theorize the role of silence (aka dead space) in the talking head documentary form? Thank you, as always, Angelica Fenner **************************************************** Angelica Fenner Assistant Professor 325 Odette Hall Germanic Languages and Literatures / Cinema Studies Program University of Toronto Toronto, Ontario M5S 1J4 CANADA Tel. 416-926-2326 Fax. 416-926-2329 ---- Online resources for film/TV studies may be found at ScreenSite http://www.ScreenSite.org