For the long-shot whisper see Coppola's THE CONVERSATION. I'm not sure if it matters, but the narrative involves sound recording and surveilance microphones, which are built into the diagesis (long-shots of the whispering). -Jim Crocamo --- Arnt Maasų <[log in to unmask]> wrote: > Dear list, > I'm currently writing on the use of voice in > relation to social / > communicative 'intimacy', 'distance' etc. in > television, and would > like to explore some examples from film too. Can > anyone come up with > typical or classical examples of the use of > (extreme) close-up shots > of a preson screaming, and (extreme) long-shot shots > of a person > whispering? > > I would be grateful for any suggestions, and also if > you can remember > if the sound is 'loud' vs. 'soft', or with a 'close' > or 'distant' > sound space (i.e., much vs. little reverb, 'full' > and 'bass-rich' > voice vs. 'thin' voice). > > Thanks, > > Arnt > > -- > _____________________________________________________________ > Arnt Maasų, Research Fellow > Department of Media and Communication > University of Oslo, Faculty of Arts > > P.O. Box 1093 Blindern, 0317 Oslo, Norway > Telephone: (+47) 22 85 04 19 Fax: (+47) 22 85 04 01 > E-mail: [log in to unmask] > Arnte's soundsite: > http://www.media.uio.no/personer/arntm/english.html > _____________________________________________________________ > > ---- > Screen-L is sponsored by the Telecommunication & > Film Dept., the > University of Alabama: http://www.tcf.ua.edu __________________________________________________ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/?.refer=text ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama: http://www.tcf.ua.edu