don larsson, on target as usual, says:
 
> . . . and some texts (perhaps even a large number, especially
> of current releases) . . . are multiple and that have to be
> engaged with in terms of their release, distribution, and the
> contractual issues that surround them . . .
 
precisely right . . . which is also precisely why this is so disquieting to
someone who thinks of the critic as an interpreter and longs for a place to
stand while interpreting
 
mike
 
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