SCREEN-L Archives

September 1996, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
"Richard J. Leskosky" <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 11 Sep 1996 08:57:35 -0500
Content-Type:
text/plain
Parts/Attachments:
text/plain (27 lines)
Don Larsson writes:
 
>Richard Leskosky suggests:
>"I'm not certain about these but it seems logical for them to have scenes of
>photos in developing fluid:  REAR WINDOW and PEEPING TOM."
>
>Strangely enough, there *isn't* one in REAR WINDOW.
 
Many thanks for the clarification/correction, Don. At the beginning, as I
now recall, we see photos on the wall and in a magazine of a car race and
crash which James Stewart's character took and which presumably explain his
being in a cast.  Later, of course, he observes the goings-on in the
apartment across the way through various lenses, but no darkroom work.
 
--Richard J. Leskosky
 
Richard J. Leskosky                        office phone: (217) 244-2704
Assistant Director                             FAX: (217) 244-2223
Unit for Cinema Studies                   University of Illinois
2117 Foreign Languages Building   707 S. Mathews Avenue
                                                         Urbana, Illinois
61801
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2