I'm assuming everyone has seen Fargo.  What do you think of what will now
and forever be known as "the Radisson sequence"?  A colleague argues that
it is atypical of the Coen oeuvre in that one can usually account for every
detail in their meticulously constructed, peeled-eye-ball universes.  Is it
an extraneous bit of fluff meant to showcase Joel's wife? Or does it fit
with the twisted middle-American milieu?
 
Denis Seguin
 
By the way, I'll be returning to Cannes this year and posting daily
bulletins on the web from May 9. Please visit at
http://www.interlog.com/eye.  I can't promise you academic rigour but I do
strive to entertain and inform.
 
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