SCREEN-L Archives

November 1995, Week 3

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Charles Jay Krinsky <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 15 Nov 1995 08:34:23 -0800
Content-Type:
text/plain
Parts/Attachments:
text/plain (27 lines)
Philip Core, in his encyclopedic book _Camp:  The Lie that Tells the Truth_
both discusses a number of stars from a particular gay male perspective
and discusses the relationship of gay male audiences, including gay
critics, to some stars.
 
Koestenbaum himself touches on this in reference to opera stars
in his _The Queen's Throat_, although he's more interested there in gay
men's--or more specifically "Opera Queens'" relationship as readers to
writings about opera stars, rather than as writers about star.
 
Gay writers--in addition to those noted by David Connor--who have written
about theater and movie stars include Lucius Beebe and Alexander Wollcott (sp?).
 
 Charlie Krinsky
[log in to unmask]
 
On Tue, 14 Nov 1995, David Conner, UC Santa Cruz wrote:
 
> Here's a gossipy question for you all: I'm working on an essay on Wayne
> Koestenbaum's most recent book, Jackie Under My Skin, and it's gotten me
> wondering if there might not exist a kind of liminal queer tradition of
> writing about celebrities.
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2