SCREEN-L Archives

June 1995, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Stephen Brophy <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Wed, 7 Jun 1995 19:58:26 EDT
Content-Type:
text/plain
Parts/Attachments:
text/plain (19 lines)
  A great introduction to the significance of diegetic vs.
extra-diegetic elements in films is delivered by Claudia Gorman in an
essay titled "Music as Salvation: Notes on Fellini and Rota." In it
she investigates the use and sources of music in "Notti di Cabiria"
and helps the reader to understand what would be different if the
music we hear was not generated in the world of the film we are
watching. This is the essay that showed me it was possible to use
film theory to gain a deeper understanding of the films we love,
rather than just show off a facility to throw around a lot of $2
words. I read this essay in "Federico Fellini: Essays in Criticism,"
edited by Peter Bondanella. I'm sure it can be found in many other
sources.
                                                Stephen Brophy
                                                Cambridge, Mass.
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message. Problems? Contact [log in to unmask]

ATOM RSS1 RSS2