SCREEN-L Archives

December 1994, Week 3

SCREEN-L@LISTSERV.UA.EDU
Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
Re: Visible Mic Booms and Aspect Ratios
From:
Jeremy Butler <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Sat, 17 Dec 1994 12:43:26 CST
Content-Type:
text/plain
Parts/Attachments:
text/plain (14 lines) 
Author:  [log in to unmask] (Marty Jukovsky) at SMTP-LINK
Date:    12/17/94 1:09 AM
 
Not only are mikes and mike booms visible in George Axelrod's _Lord
Love-a-Duck_, but the tops of the sets with clamps for lights as well.  I
remember when I saw this 25 or so years ago, I thought it might be some sort
of Brechtian distancing device.  But I had to discard that notion because such
a meta-cinematic ploy didn't fit with this inept satire.  Or maybe it ineptly
did.
 
Martin Jukovsky
Cambridge, Mass.
[log in to unmask]

ATOM RSS1 RSS2