Is anyone else interested in the application of chaos theory to film
criticism?  I am defining chaos theory according to James Gleick as an
approach considering that the laws for discovering the nature of film are
the same regardless of the infinite differences in the films.  If so,
what are you working on?  I am currently writing a study of French Novels
as films based on chaos theory as a basis for distinguishing the genres.
From Emily Zants. e-mail address: [log in to unmask]