>
> Sets I've visited in Europe are quite different. And their
> approach to production and post-production sound is different too. Uh,
> oh, the techno-bore strikes again. If you have any more questions about
> this subject, give me a jingle.
Maybe it's just me, but I'd be very interested in hearing more about
approaches to sound in European film making, if you (or anyone else would
care to amplify).