Another question/comment about colorization:
 
I always thought that copyright had a lot to do with Turner's
decision to colorize films.  He owns this huge film library,
and the copyright is about to expire for many of the older ones,
so copyrighting the colorized version (or, maybe too, the
"restored" version) is one way to maintain control.  Is
this not correct?
 
Matt McAllister
 
Virginia Tech