The journal is proud to announce the publication of issue 27.04! This
month's articles:


Caroline N. Bayne, "Women Horror Hosts in the Southern United States,
1957-1960" <http://www.flowjournal.org/2021/02/women-horror-hosts/>

Caroline N. Bayne takes a closer look at the women behind the iconic horror
personas working in Southern U.S. television during the 1950s.


María Elena Cepeda, "Adiós, Gloria Delgado-Pritchett: Or Why Sofía Vergara
Sometimes Makes Me Cry"
<http://www.flowjournal.org/2021/02/adios-gloria-delgado-pritchett/>

After discussing current scholarship on Sofía Vergara's portrayal of Gloria
Delgado-Pritchett, María Elena Cepeda proposes contextualizing Vergara’s
Caribbean and diasporic identity, her class positionality, her gendered
subjectivity, and her racial location for future scholarship on Vergara's
character.


Laura Irwin and Ralina L. Joseph, "Watching *Woke*: An Exercise in
Restraining our Burden of Representation"
<http://www.flowjournal.org/2021/02/watching-woke/>

Through analysis of Hulu's *Woke*, Laura Irwin and Ralina L. Joseph explore
the complexities of the burden of representation that Black TV faces.


Alfred L. Martin, "Re-Watching Omar: Moesha, Black Gayness and Shifting
Media Reception" <http://www.flowjournal.org/2021/02/rewatching-omar/>

Alfred L. Martin, Jr.'s media reception analysis explores how viewers make
sense of 1990s representations of Black queer characters in UPN's *Moesha*
(1996-2001).


Austin Morris, "Substack Will Not Save Us"
<http://www.flowjournal.org/2021/02/substack-will-not-save-us/>

Exploring the design and economics of the newsletter platform, Substack,
Austin Morris considers both its positive and negative implications for the
future of digital media work.


*Flow* <http://flowjournal.org/> is a critical forum on television and
media culture published by the Department of Radio-Television-Film
<https://rtf.utexas.edu/> at the University of Texas at Austin. *Flow*'s
mission is to provide a space where scholars and the public can discuss
media histories, media studies, and the changing landscape of contemporary
media.

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