Screening the Past issue 34 is now online http://www.screeningthepast.com/ Untimely Cinema: Cinema Out of Time<http://www.screeningthepast.com/issue-34/> Untimely Cinema: Cinema Out of Time<http://www.screeningthepast.com/2012/08/untimely-cinema-cinema-out-of-time/> by Jodi Brooks & Therese Davis Syrian Cinema:Out of Time?<http://www.screeningthepast.com/2012/08/syrian-cinema-out-of-time/> by Kay Dickinson The Restoration of The Exiles: The Untimeliness of Archival Cinema<http://www.screeningthepast.com/2012/08/the-restoration-of-the-exiles-the-untimeliness-of-archival-cinema/> by Catherine Russell A Skeleton Key to Histoire(s) du cinéma<http://www.screeningthepast.com/2012/08/a-skeleton-key-to-histoires-du-cinema/> by Adrian Martin Suspended Reading: Man on Wire, 9/11, and the Logic of the High-Wire<http://www.screeningthepast.com/2012/08/suspended-reading-man-on-wire-911-and-the-logic-of-the-high-wire/> by Adam Ross Rosenthal Kim Ki-duk’s Aporia: The Face and Hospitality (on 3-Iron)<http://www.screeningthepast.com/2012/08/kim-ki-duk%e2%80%99s-aporia-the-face-and-hospitality-on-3-iron/> by Steve Choe Re-staging the Cinema: Psycho, Film Spectatorship and the Redundant New Remake<http://www.screeningthepast.com/2012/08/re-staging-the-cinema-psycho-film-spectatorship-and-the-redundant-new-remake/> by Megan Carrigy Parentheses in Time: L’Année Dernière à Marienbad (1961) as Amorous Event<http://www.screeningthepast.com/2012/08/parentheses-in-time-l%e2%80%99annee-derniere-a-marienbad-1961-as-amorous-event/> by Alex Ling Missed Beats: Unseen Cinema and a Cinema of the Unseen (or Stella Dallas, Again)<http://www.screeningthepast.com/2012/08/missed-beats-unseen-cinema-and-a-cinema-of-the-unseen-or-stella-dallas-again/> by Jodi Brooks Cinema Against the Age: Feminism and Contemporary Documentary<http://www.screeningthepast.com/2012/08/cinema-against-the-age-feminism-and-contemporary-documentary/> by Belinda Smaill Untimely Animations: Waltz with Bashir and the Incorporation of Historical Difference<http://www.screeningthepast.com/2012/08/untimely-animations-waltz-with-bashir-and-the-incorporation-of-historical-difference/> by Paul Atkinson and Simon Cooper First Release<http://www.screeningthepast.com/issue-34/> Ten Fingers and Nine Toes: Embodied Representations of Pregnancy in Avant-Garde Cinema<http://www.screeningthepast.com/2012/07/ten-fingers-and-nine-toes-embodied-representations-of-pregnancy-in-avant-garde-cinema/> by Lauren Bliss Mapping the Cinematic Journey of Alexander Pearce, Cannibal Convict<http://www.screeningthepast.com/2012/07/mapping-the-cinematic-journey-of-alexander-pearce-cannibal-convict/> by Jane Stadler I racconti di Canterbury (Pier Paolo Pasolini)/The Canterbury Tales (Geoffrey Chaucer)<http://www.screeningthepast.com/2012/08/i-racconti-di-canterbury-pier-paolo-pasolinithe-canterbury-tales-geoffrey-chaucer/> by Sam Rohdie The Great Uncredited: Sir Walter Scott and Cinema<http://www.screeningthepast.com/2012/08/the-great-uncredited-sir-walter-scott-and-cinema/> by Tim Dolin The Jazz Singer: Accounting for Female Agency and Reconsidering Scholarship<http://www.screeningthepast.com/2012/08/the-jazz-singer-accounting-for-female-agency-and-reconsidering-scholarship/> by Karen Vered Encountering Elusive Cinema: Tati, Straub-Huillet and Antonioni<http://www.screeningthepast.com/2012/08/encountering-elusive-cinema-tati-straub-huillet-and-antonioni/> by Edgar Jorge Classics and Re-runs<http://www.screeningthepast.com/issue-34/> Directing the Avant-Garde: Raymond Durgnat interviews Stephen Dwoskin (1984)<http://www.screeningthepast.com/2012/08/directing-the-avant-garde-raymond-durgnat-interviews-stephen-dwoskin-1984/> by Raymond Durgnat Reviews<http://www.screeningthepast.com/issue-34/> Ford At Fox<http://www.screeningthepast.com/2012/07/ford-at-fox/> by Bill Routt To Wax Zizekian: On Un-American Psycho: Brian De Palma and the Political Invisible<http://www.screeningthepast.com/2012/07/to-wax-zizekian/> by Adrian Martin Humphrey Jennings and British Documentary Film: A Re-Assessment<http://www.screeningthepast.com/2012/07/humphrey-jennings-and-british-documentary-film-a-re-assessment/> by Patricia Aufderheide The Shadowcatchers: a history of cinematography in Australia<http://www.screeningthepast.com/2012/07/the-shadowcatchers-a-history-of-cinematography-in-australia/> by Ina Bertrand Post – 9/11 Cinema: Through a Lens Darkly<http://www.screeningthepast.com/2012/07/post-911-cinema-through-a-lens-darkly/> by Rod Bishop Optic Antics: The Cinema of Ken Jacobs<http://www.screeningthepast.com/2012/07/optic-antics-the-cinema-of-ken-jacobs/> by Dirk de Bruyn Deleuze and World Cinemas<http://www.screeningthepast.com/2012/07/deleuze-and-world-cinemas/> by Daniel Fairfax Celluloid Immigrant: Italian Australian Filmmaker Giorgio Mangiamele<http://www.screeningthepast.com/2012/07/celluloid-immigrant-italian-australian-filmmaker-giorgio-mangiamele/> by Geoff Gardner Deleuze and Cinema: The Film Concepts<http://www.screeningthepast.com/2012/07/deleuze-and-cinema-the-film-concepts/> by Gabrielle Lowe World Film Locations: Paris<http://www.screeningthepast.com/2012/07/world-film-locations-paris/> by Sarinah Masukor The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era<http://www.screeningthepast.com/2012/07/the-oriental-obscene-violence-and-racial-fantasies-in-the-vietnam-era/> by Josh Nelson China on Video: Smaller-screen realities<http://www.screeningthepast.com/2012/07/china-on-video-smaller-screen-realities/> by Tom Salek Terrence Malick and the Thought of Film<http://www.screeningthepast.com/2012/07/terrence-malick-and-the-thought-of-film/> by Robert Sinnerbrink World Film Locations: Los Angeles & World Film Locations: London<http://www.screeningthepast.com/2012/07/world-film-locations-los-angeles-world-film-locations-london/> by Lynn Smailes Virtual Hallyu: Korean Cinema of the Global Era<http://www.screeningthepast.com/2012/07/virtual-hallyu-korean-cinema-of-the-global-era/> by Mike Walsh The Anatomy of Harpo Marx<http://www.screeningthepast.com/2012/07/the-anatomy-of-harpo-marx/> by Wheeler Winston Dixon ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama: http://www.tcf.ua.edu