I'm interested in sped-up, cut-up, prismatic and/or changeable contemporary
films and their soundtracks (examples include Greengrass's The Bourne
Ultimatum, Assayas's Clean, Neveldine's Crank, Scott's Domino, Gondry's
Eternal Sunshine of the Spotless Mind, To's Full Time Killer, Akin's
Head-On, and Antal's Kontroll).  My best way of finding out about these
films has been through asking my students, but they've run out of
suggestions.  Would you be willing to tell me which films you admire?  Feel
free to contact me on the list or directly at [log in to unmask]



Sincerely,



Carol Vernallis

----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: http://www.tcf.ua.edu