Issue 20 of Screening the past has now been uploaded and is available
at:
http://www.latrobe.edu.au/screeningthepast
Thanks are very much due to Rick Thompson and Anna Dzenis for editing
this edition and to production manager Cerise Howard for significant
work in improving the site structure to ensure an improved reader
experience.
Issue 21 will be a special Issue on Cinema/Theatre. Guest editors for
that issue, to be uploaded in May 2007, will be Des O'Rawe and Sam
Rohdie
Issue 20 articles:
Deborah Allison,
Novelty title sequences and self-reflexivity in classical Hollywood
cinema.
Keith Beattie,
From city symphony to global city film: Documentary display and the
corporeal.
David Scott Diffrient,
Alternate futures, contradictory pasts: Forking paths and cubist
narratives in contemporary film.
Tiziana Ferrero-Regis,
Open City, Rossellini and neorealism: Sixty years on.
Tim Groves,
Entranced: Affective mimesis and cinematic identification.
Cathy Hope and Adam Dickerson,
'Ill-will with the trade': The Sydney and Melbourne Film Festivals
(1959-1964).
Cathy Hope and Adam Dickerson,
'Separating the Sheep from the Goats': The Sydney and Melbourne Film
Festivals (1965-1972).
Adrian Martin,
Ticket to ride: Claire Denis and the cinema of the body.
Myra Mendible,
Sexy seņoritas and other imperial fantasies: US foreign policy,
domestic fictions, and the Latina body.
Daniel Reynaud,
The effectiveness of Australian film propaganda for the war effort
1914-1918.
Margit Rohringer,
The biographical approach to history or the subjectivity of the past:
A case study of Intervista (Anri Sala, 1998).
William D. Routt,
Misprision (note version).
Anne Rutherford,
Garin Nugroho: Didong, cinema and the embodiment of politics in
cultural form.
Reviews
Deborah Allison reviews Jean Cocteau.
Richard Armstrong reviews Icons of grief: Val Lewton's Home Front
pictures.
Neil Bather reviews The Blade Runner experience: The legacy of a
science fiction classic.
Greg Battye reviews Neo-Baroque aesthetics and contemporary
entertainment.
Merv Bendle reviews The parallax view.
Ina Bertrand reviews The Barry McKenzie movies.
Ina Bertrand reviews Policing Cinema: Movies and censorship in early
twentieth-century America.
Ina Bertrand reviews Sheep and the Australian cinema.
Jodi Brooks reviews The last "Darky": Bert Williams, black-on-black
minstrelsy, and the African diaspora.
Tom Conley reviews Film fables.
Colin Crisp reviews Alain Resnais and Maurice Pialat.
Colin Crisp reviews The cinema of France.
Jeannette Delamoir reviews J. P. McGowan: Biography of a Hollywood
pioneer.
Anna Dzenis reviews Film performance: From achievement to appreciation.
Laurie N Ede reviews Gore Vidal's America.
Laurie N Ede reviews Hollywood behind the Wall. The cinema of East
Germany.
David Ehrenstein reviews How to be an intellectual in the age of tv:
The lessons of Gore Vidal.
Mark Finn reviews Lara Croft: Cyber heroine.
Freda Freiberg reviews Imitation of life.
Mas Generis reviews Cinephilia: movies, love and memory.
Melissa Ursula Dawn Goldsmith reviews Ether: The nothing that
connects everything.
Heather Heckman reviews The first lady of Hollywood: A biography of
Louella Parsons.
Jan-Christopher Horak reviews Blackout: World War II and the origins
of film noir.
Jan-Christopher Horak reviews Shadows, specters, shards: Making
history in avant-garde film.
Andrew Horton reviews Film remakes.
D.B. Jones reviews Hitchcock and twentieth century cinema.
Harriet Margolis reviews Re-takes: Postcoloniality and foreign film
languages.
Ben McCann reviews The office.
Anne McLaren reviews China on screen: Cinema and nation.
Susan Napier reviews 100 Anime.
Leonie Naughton reviews Herr Lubitsch goes to Hollywood. German and
American film after World War 1.
David Neo reviews Contemporary Asian cinema: Popular culture in a
global frame.
Tim O'Farrell reviews The Direct Cinema of David and Albert Maysles.
Jaime S. Ong reviews Incongruous entertainment: Camp, cultural value
and the MGM musical.
Michael Paris reviews Citizen spy: Television, espionage, and cold
war culture.
Violetta Petrova reviews Unsettling scores: German film, music, and
ideology.
Kerstin Pilz reviews Big screen Rome.
Dana Polan reviews Silent film sound.
Murray Pomerance reviews Hitchcock's cryptonymies.
Paul Ramaeker reviews Directed by Steven Spielberg: Poetics of the
contemporary Hollywood blockbuster.
Thomas Redwood reviews Mute dreams, blind owls and dispersed
knowledges: Persian poesis in the transnational circuitry.
Daniel Ross reviews 10.
Gerald Sim reviews Historical dictionary of Australian and New
Zealand cinema.
Rick Thompson reviews Backstory 4: Interviews with screenwriters of
the 1970s and 1980s.
Sue Turnbull reviews Buffy the vampire slayer, Why Buffy matters: The
art of Buffy the vampire slayer and Reading Angel: The tv spin-off
with a soul.
Mike Walsh reviews The big show: British cinema culture in the Great
War 1914-1918.
Saige Walton reviews Virtual voyages: Cinema and travel.
June Werrett reviews Surrealism and cinema.
All the best,
P.
----------------------------------
Peter Hughes Program Coordinator, Media Studies Program, La Trobe
University, Victoria, 3086, Australia.
ph: +61 3 9479 3065 (w), fax: +61 3 9479 3638 (w)
http://www.latrobe.edu.au/media
---
http://www.latrobe.edu.au/bushfires
---
Screening the past. An international, refereed electronic journal of
visual media and history:
http://www.latrobe.edu.au/screeningthepast
----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: http://www.tcf.ua.edu
|
