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October 2001, Week 2

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Subject:
From:
Jennifer Holt <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 9 Oct 2001 08:58:20 -0700
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>

John Gregory Dunne's MONSTER
Steven Soderbergh's SEX, LIES and VIDEOTAPE


> Date:    Sun, 7 Oct 2001 13:31:19 -0400
> From:    Lang Thompson <[log in to unmask]>
> Subject: production histories
>
> I'm trying to compile a list of film production histories.  The start is
> below; does anybody have additions?  Thanks, Lang
>
> Criteria:  Full-length book about a single film, preferably a contemporary
> account by a participant or journalist.  There's a separate section for
> retrospective production histories.  The focus should be on actual
> production: no purely critical studies and no primarily promotional
> publications.
>
> Robert Rodriguez - Rebel Without a Crew [El Mariachi]
> Jane Hamsher - Killer Instinct [Natural Born Killers]
> Eleanor Coppola - Notes on the Making of Apocalypse Now
> Julie Salamon - Devil's Candy [Bonfire of the Vanities]
> Melville Shavelson - How to Make a Jewish Movie [Cast a Giant Shadow]
> Lillian Ross - Picture [Red Badge of Courage]
> Tom DiCillo - Box of moonlight; and, Notes from Overboard: a Film-maker's
> Diary
>
> retrospective
>
> Robert Carringer - Making of Citizen Kane
> Stephen Rebello - Alfred Hitchcock and the Making of Psycho
> Aljean Harmetz - The Making of The Wizard of Oz
> Ray Carney - Shadows
> Jan Stuart - The Nashville Chronicles: The Making of Robert Altman's
> Masterpiece
> Matthew Field - Making of The Italian Job
>
> ------------------------------

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