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March 2001, Week 5

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Subject:
From:
Jim Crocamo <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Fri, 30 Mar 2001 09:45:48 -0800
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For the long-shot whisper see Coppola's THE
CONVERSATION.  I'm not sure if it matters, but the
narrative involves sound recording and surveilance
microphones, which are built into the diagesis
(long-shots of the whispering).

-Jim Crocamo

--- Arnt Maasų <[log in to unmask]> wrote:
> Dear list,
> I'm currently writing on the use of voice in
> relation to social /
> communicative 'intimacy', 'distance' etc. in
> television, and would
> like to explore some examples from film too. Can
> anyone come up with
> typical or classical examples of the use of
> (extreme) close-up shots
> of a preson screaming, and (extreme) long-shot shots
> of a person
> whispering?
>
> I would be grateful for any suggestions, and also if
> you can remember
> if the sound is 'loud' vs. 'soft', or with a 'close'
> or 'distant'
> sound space (i.e., much vs. little reverb, 'full'
> and 'bass-rich'
> voice vs. 'thin' voice).
>
> Thanks,
>
> Arnt
>
> --
>
_____________________________________________________________
> Arnt Maasų, Research Fellow
> Department of Media and Communication
> University of Oslo, Faculty of Arts
>
> P.O. Box 1093 Blindern, 0317 Oslo, Norway
> Telephone: (+47) 22 85 04 19 Fax: (+47) 22 85 04 01
> E-mail: [log in to unmask]
> Arnte's soundsite:
> http://www.media.uio.no/personer/arntm/english.html
>
_____________________________________________________________
>
> ----
> Screen-L is sponsored by the Telecommunication &
> Film Dept., the
> University of Alabama: http://www.tcf.ua.edu


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