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Wed, 14 Apr 1993 17:49:20 EDT |
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In regard to the discussion involving Mr. Jenkins and Ms. Aaron, perhaps I, as
a non-film scholar but someone who tries to be an intelligent film buff, might
make a small contribution. Both james Monaco's The New Wave and G. Crisp's Er
ic Rohmer seem to me examples of closely reasoned, aesthetic, yet non-a-histori
cal (what a term!) criticism that is both sophiticated yet accessible and not j
argon-laden. I cpmmend these two examples, even though I find myself agreeing
more with monaco than Crisp. Yet sepite my differences with the latter, I cann
ot and do not deny his acuity as a critic and his avoidance of esotericism in h
us language and approach.
By the way, does anyone know why more of Robert Bresson's films are not availa
ble on video? I would be tempted to sell my first born to get a copy of L'Arge
nt.
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